Showing posts with label Printmaking. Show all posts
Showing posts with label Printmaking. Show all posts

Monday, 13 July 2020

A Busy Etsy Update

What a busy month! I have finally updated my Etsy Shop, which has been on my jobs list for probably over a year, and launched my hand made notebooks while trying to be patient over my new studio roof.
It's been very exciting learning the book binding process. It is something I have wanted to try for some time and was so pleased with my first attempts that I have launch a few straight into my Etsy shop. With still no proper studio set up its also been ideal to make in the house as I can bind a few in the evenings without making too much mess!
Folding and cutting the book blocks
Sewing each block by hand
Using my own textile prints for book cloths has meant that each notebook is totally my own design.
I still have some way to go before I can develop my textiles into fabric based designs but they are serving very well as book covers. Of course now that I have started working with the materials I am thinking of a range of designs that I can try out. There's always some idea ticking away in the background!
Using my textile prints as book cloths
Colours have become incredibly important when putting each book together. I have suddenly realised you cannot just fling odd bits at one another and it will look OK. This may sound like the most basic idea in design but I suddenly found myself rummaging through boxes looking for the exact coordinating colours to match book cloth, book blocks, end papers and ribbon. Slightly the wrong shade of yellow or wrong pattern can look disastrous with very little effort so as I have been thinking about new designs I have also been taking on board how colours and patterns and images are all going to work as one. 
Orange and Red Tulip small notebook

Yellow Tulip Journal





Blue Cornish Mackerel Blank Greetings Card
 As I was testing out my new ideas I thought I'd have a quick trial with my Cornish Mackerel Linocut to see how it would print on to blank greetings cards and was so pleased with these that as soon as they were dry they were photographed and in my shop. Its been great to see this linocut being used across a variety of mediums. Again it was a simple idea that just seems to keep giving. I am mulling over the idea of having the design made up into a screen print to expand my textiles but then again I'm very keen to work on a design based on different fish. Soooo many ideas soooo little time to get them done!
White Cornish Mackerel Blank Greetings Card
 And finally my last idea that has worked really well! I had an idea of making an aperture in the book cover in order to insert one of my prints just to give my notebooks that arty edge, so I took my wood engraving of a Green Finch that I did a couple of years ago and hey presto! It makes the book unique and it's great to see another of my own designs applied to another format. 
Aperture Journal with Green Finch Insert
I now have a busy few weeks ahead stocking my Etsy Shop up with new designs while I wait for a new roof to be put on my studio. I simply can't wait to move it and get set up again. I have canvases that are just busting to have some paint on them and with the amazing Cornish landscape around me there is plenty of inspiration.

Sunday, 2 February 2020

New Year, New Project

Last week small canvases and paints were retrieved from my leaky studio and work has started on a little project I've been mulling over for some time. Ever since a visit to Southampton City Art Gallery and seeing a small still life of a pear I have been thinking about challenging myself with learning to paint contemporary still life, so now seemed the perfect opportunity to weave that into a busy schedule.
So far so good. The size is perfect for in the house, and working in the evening with constant lighting has also paid off.
So here I am working out formal spaces, thinking about colour, form and texture and what I actually want to convey through the style of the work. As ever I have been drawn to American artists, in particular William Bailey, Todd M. Casey and William M. Harnett who's work I saw a few years ago in New York.


William Bailey's paired down vision

Todd M. Casey, 'Entomologist'

William M. Harnett

I love the paired down look by William Bailey because the space lets everything breathe and the rhythmical shapes and colour combinations have calming aesthetics. Todd M. Casey's work has a sense of narrative to it. It makes me think he's just raided someones ruck sack or kitchen and makes me ask who owns this stuff! And William M. Harnett for his amazing skill and use of paint.
Luckily I have plenty of objects to paint so I haven't had to scratch around in the back of any cupboards. It has been important that my objects are personal to me, after all there has to be a reason to paint them in the first place. 


First try at an underpainting on board

The more I look the more combinations open up to explore, but most importantly they have to be beautiful so I suspect that, while I suffer with a leaky roof, I will be producing many small (and possibly large) still life paintings for you to see.